Electronic musician Alexandre Bazin shapes his music with an experimental approach, his offbeat music encompassing multiple references and styles, from experimental and rock to techno.

His music is released by Important Records (USA), Umor Rex Records (Mexico), Polytechnic Youth (UK).
He has performed at Moogfest Festival in the USA in 2018. One of his live performances was recently broadcast on  France TV CultureBox in 2021. He plays live at the Gaîté Lyrique in 2022, Trabendo & Point Éphémère in 2023.

Alexandre Bazin writes 60-minute documentaries for Radio France and GRM, and organizes interviews with some of the greatest experimental music artists of the XX & XXI century (Parmegiani, Mika Vainio, Fennesz, Peter Rehberg, Alva Noto, Jim O’Rourke, Suzanne Ciani, Morton Subotnick). His documentary on minimalist music was programmed during the Minimal evening at the Center Pompidou in 2018.


 
2018.05.18 : Moogfest festival (USA)  
2021.03.03 : France TV - Live Show
2022.10.12 : Chabada - Museum Jean Lurcat (France)
2022.12.03 : Gaité Lyrique - Marathon! festival (France)
2023.06.17 : Trabendo (France) 
2023.07.04 : Point Éphémère (France)


Distribution :
Boomkat, Bleep ( world from UK)
Forced Exposure (world from USA)
Anost (world from EU)




The Wire Magazine “Swell tape by this current member of Paris’s GRM organisation. The sounds range from classic Pierre Schaeffer-like collisions of whacked-out sound waves to saturnine insect buzzing and even stretches that are qite proggy. Excellent ! “  (source)France TV “Alexandre Bazin is an UFO” (source)
Reverb LP interview - Moogfest USA (source)
Beware "Alexandre Bazin is determined to explore new technical and artistic means to create a style of his own." (source)
The Slow Music Movement
“A wonderfully atmospheric exercise in ambient minimalism from Alexandre Bazin for Important Records as he lights the route, smoothes the path & leaves a tempting tonal trail to the warm & welcoming end of the rocky world of experimental electronics.” (source) 
Tiny Mix Tapes “comparable at times to both minimal wave and recent Cliff Martinez film scores, while also informed throughout by 20th century European classical tradition” (source)